The Imposter // Doc Turtleneck
A master manipulator tells his own unbelievable story. This twisting documentary follows Frédéric Bourdin as he impersonates a missing child.
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A master manipulator tells his own unbelievable story. This twisting documentary follows Frédéric Bourdin as he impersonates a missing child.
Full of machine-gun fast dialogue and perfect comedic timing, “His Girl Friday” is a masterpiece of screwball comedy. Cary Grant and Rosalind Russell blaze through a gender-flipped newsroom battle of wits, romance, and journalistic ethics, speaking faster than most films canthink. Director Howard Hawks turns workplace comedy into a high-speed sport, creating one of the sharpest, funniest films Hollywood ever produced, and still a classic for comic dialogue.
Gumshoe Mark McPherson is investigating the recent murder of the eponymous Laura, and everyone’s a suspect, from her aunt to her fiancé to her fey, acid-tongued admirer (Clifton Webb, in a particularly memorable performance).
Bi Gan’s Long Day’s Journey Into Night drifts through memory and desire before unfolding into a breathtaking 59-minute single take.
The world is a perplexing, peaceful mystery to Amélie until a miraculous encounter with chocolate ignites her wild sense of curiosity. As she develops a deep attachment to her family’s housekeeper, Nishio-san, Amélie discovers the wonders of nature as well as the emotional truths hidden beneath the surface of her family’s idyllic life as foreigners in post-war Japan.
Adapted from the autobiographical novel by Amélie Nothomb and brought to life in the completely original animated style of directors Mailys Vallade and Liane-Cho Han, LITTLE AMÉLIE OR THE CHARACTER OF RAIN tells a tender, poignant and visually stunning story about the healing power of human connection.
Ever feel like you're coming apart at the seams? Since the earliest days of horror movies, screens have been home to mad scientists making those feelings a little more than usually literal, as we'll explore when the Horror Pod Class continues our Year of Monsters with lab experiments run amok. What movie are we showing? That's a surprise, but we'll give you a few hints: It comes to us from a British production house synonymous with gothic horror; it stars Peter Cushing; and it's adapted from a TV series that never happened.
What is it? The only way to know for sure is to come join us for a FREE screening at the Stray Cat Film Center on February 26, then stick around after the show as Orrin and Tyler host a live podcast discussing all things lycanthropic, complete with hair-raising giveaways!
Join us for a FREE screening of this seldom-seen film, and then stick around afterward as Orrin and Tyler discuss the history of J-horror, what makes a found footage movie work, and ectoplasmic worms!
THE HORROR POD CLASS is a monthly free screening hosted by Orrin Grey and Tyler Unsell where they seek out horror films that could be useful in a school setting. Screenings start at 7pm with a live podcast recording taking place after.
Annihilation, dir. Alex Garland (2018) with a talk on the history of mycology from historian of science, Brad Bolman.
Generously funded by Science on Screen®.
A biologist (Natalie Portman) signs up for a dangerous, secret expedition into a mysterious zone where the laws of nature don't apply.
Brad Bolman is Assistant Professor of History and Environmental Studies and Tulane University. His research focuses on the history of science, technology, and medicine and environmental history, with attention to the ways that we come to know and live with nonhuman organisms under capitalist economic systems. His first book, Lab Dog: What Global Science Owes American Beagles, traces the history of experimental dogs across the twentieth century. It shows how attempts to standardize and mass produce laboratory dogs, particularly beagles, transformed scientific research and reshaped the human relationship with Canis familiaris. His second book, Rotten Beauty, explores the global history of mycology and fungal biology over the last three centuries.
The Science on Screen® grant initiative brings science to cinemas nationwide.
The Coolidge Corner Theatre's series has enhanced film and scientific literacy with this popular program, which launched at the Coolidge in 2005 in partnership with the Alfred P. Sloan Foundation and its pioneering nationwide film program.
Since 2011, Sloan has awarded the Coolidge over $4 million to develop and administer Science on Screen programs around the US through partnerships with other nonprofits. The Coolidge has in turn awarded over $2.75 million in grants to 131 film and science-focused organizations in 45 states (plus Washington, DC) across the country.
Jon Moritsugu (Mod Fuck Explosion, Fame Whore, Terminal USA, Scumrock), The Godfather of Punk Cinema, has completed his first new movie in over a decade! In Numbskull Revolution, Amy Davis and James Duval (Donnie Darko, Greg Araki’s Teen Apocalypse Trilogy) play a pair of rival conceptual artists battling for fame and funding in the near-future dystopia of Shitville, Earth. As one ascends the heights of neoliberal capitalist success, the other seeks inspiration and solace in the euphoric waves of a new cyber drug called Skullfuck.
Soviet Animation Double Feature returns with two adaptations of Lewis Carroll’s Alice in Wonderland and Through the Looking Glass!
Soviet Animation Double Feature returns in 2026 as a part of Animation Club! Join us for a Soviet adaptation of Lewis Carroll’s Alice in Wonderland and Through the Looking Glass on March 11, 2026 at 7pm.
'ANIMATION CLUB' is an ongoing series that celebrates new and classic animated films from around the world! From studio titans to hidden indie gems; traditional 2D to stop-motion, 3D animation, experimental, and everything in-between!
Love is in the air, Kansas City! And to cap off a weekend dedicated to romance and affection, Magnetic Magic offers up a very special film about a man, a woman and a doll. So settle in and cuddle up as Analog Sunday presents V-DAY VIOLATION: LOVE OBJECT.
“The fire will not consume us. We take it and make it our own.” In October 1992, the direct action collective The Lesbian Avengers performed their first fire-eating to honor Hattie Mae Cohens and Brian Mock, who were killed in a homophobic fire-bombing attack. Over the years, they would stage protests through New York City, establish the NYC Dyke March, and form chapters throughout the country. The Finding Aid presents Lesbian Avengers Eat Fire, Too which documents the first year of The Avengers’ activity. March 4, 2026 at 7pm.
Journalist Mads Brügger poses as a shady diplomat to expose blood diamonds and bought power in Central Africa.
Is there a full moon out tonight? Even if there isn't, you'll feel like there is as the Horror Pod Class continues our Year of Monsters by exploring the beast within - better known as werewolves! What movie are we showing? That's a surprise, but we'll give you a few hints: It's part of a long-running franchise; it takes place in Australia; and the werewolves in it are marsupials!
What is it? The only way to know for sure is to come join us for a FREE screening at the Stray Cat Film Center on February 26, then stick around after the show as Orrin and Tyler host a live podcast discussing all things lycanthropic, complete with hair-raising giveaways!
Join us for a FREE screening of this seldom-seen film, and then stick around afterward as Orrin and Tyler discuss the history of J-horror, what makes a found footage movie work, and ectoplasmic worms!
THE HORROR POD CLASS is a monthly free screening hosted by Orrin Grey and Tyler Unsell where they seek out horror films that could be useful in a school setting. Screenings start at 7pm with a live podcast recording taking place after.
Multi-hyphenate, multidisciplinary artist Saul Williams brings his unique dynamism to this Afrofuturist vision, a sci-fi punk musical that’s a visually wondrous amalgamation of themes, ideas, and songs that Williams has explored in his work, notably his 2016 album MartyrLoserKing. Co-directed with the Rwandan-born artist and cinematographer Anisia Uzeyman, the film takes place in the hilltops of Burundi, where a group of escaped coltan miners form an anti-colonialist computer hacker collective. From their camp in an otherworldly e-waste dump, they attempt a takeover of the authoritarian regime exploiting the region's natural resources – and its people. When an intersex runaway and an escaped coltan miner find each other through cosmic forces, their connection sparks glitches within the greater divine circuitry. Set between states of being – past and present, dream and waking life, colonized and free, male and female, memory and prescience – Neptune Frost is an invigorating and empowering direct download to the cerebral cortex and a call to reclaim technology for progressive political ends. - Kino Lorber
An avant-gutter psychedelic dream, ANYTHING THAT MOVES is an erotically charged, blood-soaked thriller set in the sticky corridors of Chicago. Shot on fleshy Super 16mm, director Alex Phillips' rust belt giallo continues on his trajectory of taboo-shattering horror cinema with this tense, funny, and absolutely twisted murder mystery. The film follows nubile sex worker Liam who bikes with his girlfriend—his partner in both business and pleasure—through the city delivering snacks and divine satisfaction to his love-hungry clients. Meanwhile, a serial killer's gory murders are piling up and all the evidence seems to point back to the lover's bed... Produced in collaboration with cult home video outfit Vinegar Syndrome, the film features stand-out supporting performances from erotic film legends Ginger Lynn (The Devil’s Rejects) and Nina Hartley (Boogie Nights). With an original instrumental score by Chicago-based artists Cue Shop calling to mind the lush orchestrations of Bruno Nicolai and lurid visuals by acclaimed cinematographer Hunter Zimny (The Scary of Sixty-First, Funny Pages), ANYTHING THAT MOVES provides an immersive throwback to 70s exploitation flicks.
Mid-1990s, New York City. Patti, Angela, Emma and Nikki are high school seniors and best friends preparing for life beyond graduation. Their dreams for the future differ greatly – Angela wants to become a poet, Emma and Nikki have are heading for college, and Patti is a young mother looking for stability in her kid’s life – but the four bright, young women are steadfastly loyal to each other in a way only teenagers know how to be. Their lives are then completely upended when, after being sexually assaulted, Nikki unexpectedly commits suicide. Grieving, angry and forced to return to daily life without satisfying recourse for their feelings, the girls must come of age with a newfound understanding about the patriarchal world in which they live.
The only film ever directed by actor Charles Laughton, Robert Mitchum is a serial killing preacher Harry Powell, who marries a fragile widow to get close to her terrified young children who know about a hidden stash of money. Graced by images of eerie beauty and a sneaky sense of humor, this ethereal, expressionistic Southern gothic is cinema’s most eccentric rendering of the battle between good and evil.
Gumshoe Mark McPherson is investigating the recent murder of the eponymous Laura, and everyone’s a suspect, from her aunt to her fiancé to her fey, acid-tongued admirer (Clifton Webb, in a particularly memorable performance).
Arco, a 10-year-old boy from a peaceful, distant future accidentally travels back to the year 2075 and discovers a world in peril. As Arco develops a charming and touching friendship with a young girl named Iris, they band together and along with her trusted robot caretaker Mikki, set out on a quest to get Arco home, while the two children may also be the only ones who can save our planet.
Love is in the air, Kansas City! And to cap off a weekend dedicated to romance and affection, Magnetic Magic offers up a very special film about a man, a woman and a doll. So settle in and cuddle up as Analog Sunday presents V-DAY VIOLATION: LOVE OBJECT.
Plot: A professor and his wife spend a night verbally sparring with each other; getting another couple caught in the crosshairs.
Incredible performances, beautiful photography, and joyfully acidic dialog combine to turn WHO'S AFRAID OF VIRGINIA WOOLF into a 60s new wave masterpiece! Come celebrate Valentine's Day with us and this ultra rare, 'REEL' 16MM FILM print!
One of the most searing romances of the 1990s, Wong Kar Wai’s emotionally raw, lushly stylized portrait of a relationship in breakdown casts Hong Kong superstars Tony Leung and Leslie Cheung as a couple traveling through Argentina and locked in a turbulent cycle of infatuation and destructive jealousy as they break up, make up, and fall apart again and again.
While running from the police, punk rocker Simon (Kyle Gallner) becomes entangled with Patty (Emily Skeggs), an eccentric unknowingly obsessed with him and his punk band. They embark on an unexpected and epic journey together through the decaying Midwest suburbs, causing chaos and falling in love along the way.
Banmei Takahashi’s hangout film/erotic dramedy takes a look at the lives of two sex workers in Tokyo: Rei, who works as an S&M dominatrix, and Ayumi, in the more straightforward profession of call girl. But Rei’s also acting in theater and Ayumi’s trying to apply for college. Part of the TOKYO DECADENCE series, this sensitive, humanist portrait remains one of the best portraits of sex work ever made.
Banmei Takahashi’s hangout film/erotic dramedy takes a look at the lives of two sex workers in Tokyo: Rei, who works as an S&M dominatrix, and Ayumi, in the more straightforward profession of call girl. But Rei’s also acting in theater and Ayumi’s trying to apply for college. Part of the TOKYO DECADENCE series, this sensitive, humanist portrait remains one of the best portraits of sex work ever made.
In collaboration with the KC Defender, join us for a Black History Month screening examining the history & impact of the Black Panther Party
An Oscar nominated epic from Jordan tracing one Palestinian family across decades of displacement, memory, and survival.
A professor drifts through Seoul across 3 days. The Day He Arrives turns small moments and subtle variations into an absorbing study of time.
DON’T TORTURE A DUCKLING is a triumphant giallo from Italian horror legend Lucio Fulci (ZOMBIE, THE BEYOND). A sleepy rural village is rocked by the murders of young boys and superstitious locals are quick to point blame, with the suspects including a local witch. With bodies piling up and the community gripped by panic, two outsiders team up to crack the case. Deemed shocking at the time for its brutal violence, depiction of the Catholic Church, and themes of child murder, DON’T TORTURE A DUCKLING is widely regarded today as one of Fulci's greatest giallos, rivaling the best work of Dario Argento.
An avant-gutter psychedelic dream, ANYTHING THAT MOVES is an erotically charged, blood-soaked thriller set in the sticky corridors of Chicago. Shot on fleshy Super 16mm, director Alex Phillips' rust belt giallo continues on his trajectory of taboo-shattering horror cinema with this tense, funny, and absolutely twisted murder mystery. The film follows nubile sex worker Liam who bikes with his girlfriend—his partner in both business and pleasure—through the city delivering snacks and divine satisfaction to his love-hungry clients. Meanwhile, a serial killer's gory murders are piling up and all the evidence seems to point back to the lover's bed... Produced in collaboration with cult home video outfit Vinegar Syndrome, the film features stand-out supporting performances from erotic film legends Ginger Lynn (The Devil’s Rejects) and Nina Hartley (Boogie Nights). With an original instrumental score by Chicago-based artists Cue Shop calling to mind the lush orchestrations of Bruno Nicolai and lurid visuals by acclaimed cinematographer Hunter Zimny (The Scary of Sixty-First, Funny Pages), ANYTHING THAT MOVES provides an immersive throwback to 70s exploitation flicks.
A spate of highly sexualized murders is rocking a prestigious Milanese fashion house. An ambitious photographer (gialli queen Edwige Fenech, ALL THE COLORS OF THE DARK, THE STRANGE VICE OF MRS. WARDH) and her on-off, love-rat boyfriend team up to crack the case. But, with the motorcycle helmet-wearing killer clearly bearing a grudge against the agency’s employees, it’s a matter of time before they too feel the force of his wrath...
Divisive at the time of its release, Crimson Peak has since developed as much of a cult following as a major movie by an Academy Award-winning director can claim. Does it deserve it? The only way to find out is to join us for a FREE screening, after which Tyler and Orrin will talk about the gothic genre, the tradition of ghost stories at Christmas, whether or not horror movies need to be scary, and probably Tom Hiddleston's butt.
Join us for a FREE screening of this seldom-seen film, and then stick around afterward as Orrin and Tyler discuss the history of J-horror, what makes a found footage movie work, and ectoplasmic worms!
THE HORROR POD CLASS is a monthly free screening hosted by Orrin Grey and Tyler Unsell where they seek out horror films that could be useful in a school setting. Screenings start at 7pm with a live podcast recording taking place after.
A year before stunning the genre with ALL THE COLORS OF THE DARK, the team of director Sergio Martino, co-writer Ernesto Gastaldi, and stars Edwige Fenech & George Hilton made their collaborative giallo debut with this incredible piece of cinema every bit as thrilling as Argento’s best. Fenech is at her most luminous as an unfaithful diplomat’s wife hunted by a razor-wielding maniac while also haunted by her own depraved desires. This daring shocker set the pace for years to come.
Magnetic Magic is back and kickin’ off the year with a Full Moon classic from B-Grade mainstay Albert Pyun. Get ready for a night of pint-sized intergalactic action as Analog Sunday presents: Dollman!
Beginning in 1974, Lloyd Kaufman and the Troma Team have been attending the Cannes Film Festival to promote their movies, share the joy of independent art, and protest media consolidation. Renowned for using guerilla tactics and provocative artistry to sell films, Troma’s audacious performances spark both controversy and curiosity. Occupy Cannes documents their return to Cannes for the first time in a decade to promote their new film Return to Nuke Em High Vol. 1—the continuation of their renowned Class of Nuke ‘Em High —with staged stunts, Troma-rrific costumes, and DIY messaging. Shot and directed by Lloyd Kaufman’s daughters Lily-Hayes and Charlotte Kaufman, and starring Lloyd himself and Troma fans from around the world!
A BAY OF BLOOD seriously delivers the goods in the slasher thrills department, and was the source material for two of FRIDAY THE 13TH PART 2’s greatest kills…this thing’s even set at a lakeside cabin (hint, hint!) Whether you’re a first-time or repeat viewer of A BAY OF BLOOD, you owe it to yourself to luxuriate in Severin Films’ blissful new 4K restoration.
L’Avventura abandons narrative urgency in favor of duration, absence, and emotional drift, allowing time itself to take center stage.
Two haunting short films, Courtesy of Severin Films!
Divisive at the time of its release, Crimson Peak has since developed as much of a cult following as a major movie by an Academy Award-winning director can claim. Does it deserve it? The only way to find out is to join us for a FREE screening, after which Tyler and Orrin will talk about the gothic genre, the tradition of ghost stories at Christmas, whether or not horror movies need to be scary, and probably Tom Hiddleston's butt.
Join us for a FREE screening of this seldom-seen film, and then stick around afterward as Orrin and Tyler discuss the history of J-horror, what makes a found footage movie work, and ectoplasmic worms!
THE HORROR POD CLASS is a monthly free screening hosted by Orrin Grey and Tyler Unsell where they seek out horror films that could be useful in a school setting. Screenings start at 7pm with a live podcast recording taking place after.